


Producing a solo documentary over a two-year span presents significant logistical hurdles. The onset of the COVID-19 pandemic forced a complete pivot in our original vision and tenure for the project. We had to adapt our filming schedule and narrative focus to account for the changing landscape of the art world and the personal transitions Xiaoman was facing during the global shutdown.
Additionally the project required a sensitive approach to documenting her experiences with systemic sexism and racism within the regional industry. These challenges ultimately deepened the narrative of the film and allowed us to create a more profound study of resilience and artistic dedication under pressure.





Xuè serves as a permanent record of a specific time and place in Xiaoman’s life. It is intended to empower other creators to use their voices and continue their work despite the professional barriers they may encounter. By capturing her journey I provided a platform for a perspective that is essential to the conversation regarding diversity in the Indianapolis art scene.
The film stands as a testament to the power of documentary media to drive professional conversation and inspire a new generation of artists to keep creating on their own terms.
Next projects.
(2016-25©)



